Cinema, Karam, Kapi

Most of you who’ve seen Petta can resonate with many of Superstar’s movies over the past 40 years. Some are quite obvious, some are hidden gems. Am listing my few favourites here. The film starts with Thalaivar uttering the first dialogue - “Naan Veezhven endru ninaithayo!”. I could immediately connect with the opening scene of Muthu where he wishes the best for everyone, breaks the coconut and just when the horses scream - “Oruvan Oruvan Mudalali” song begins. Am sure Karthik Subburaj had this inspiration as well. All the more for Petta, since Kabali and Kaala were not up to the expectations of his hardcore fans, so KS had to ensure not only he delivers a blockbuster but also make Thalaivar say this dialogue, which is also something he openly mentioned in the 150th day celebrations of Chandramukhi where he mentioned he is not an Elephant, rather a horse and would get up just like that. Whattay fanboy moment when the film begins! The sarcasm that Kaali, the hostel warde

This is the fourth time Actor Ajith Kumar and Director Siva come together for Viswasam - in Tamil, Viswasam means loyalty. We celebrate their loyalty to each other too with this film. In all their past outings, it’s the protagonist safeguarding his loved ones - In Veeram, it’s his fiancee's family; in Vedalam it’s his stepsister, in Vivegam, it’s his pregnant wife and in Viswasam, it’s his daughter. What I appreciate the most of Siva is his portrayal of Ajith in each outing. He knows the actor’s strengths at the back of his head and pins the screenplay accordingly. But for Vivegam which was more a hollywood-type attempt with too much of foreign locales, Russian mafia and gun fights which Ajith’s hardcore fans couldn’t relate to, all the other films did reasonably well during their release. Viswasam has had a fantastic opening in B & C Centres, thanks to a meticulously planned Pongal release which was announced six months back by Director Siva and Sathyajothi Films.

The first dialogue Superstar Rajinikanth utters in Petta is “Naan Veezhven enduru ninaithayo” after bludgeoning a few bad guys in his inimitable style. One cannot but remember the golden words of Neelambari “Vayasanalum un stylum azhagum  innum  pogale” - except that she actually said that 20 years back when Thalaivar was 49 years young. From this scene which is 4 minutes after the film reels on till the last scene - where Thalaivar ends with a pistol shot, its Superstar galore for over 150 minutes. Every fan who came out after watching the film has only one thing to say about Director Karthik Subburaj - “Only someone who has consumed Rajinikanth in every vein, muscle, blood and brain can create such a screenplay” - so true. KS has literally “Rajinified” the viewers with such a strong and gripping storyline which is a potpourri of Superstar’s antics for 40 years which most of his  ardent fans have enjoyed every bit and byte, literally . Kaali joins a convent in a hill sta

Releasing “Singles” ahead of the main album release has been prevalent in Tamil Cinema for over 4-5 years although I don’t recall which was the first movie which did this. So Music Director and Film Director of Petta Anirudh and Karthik Subburaj released the first single “Marana Mass” on 3rd December which opened to a thunderous response and garnered 1 million views on YouTube in just 4 hours.  This was followed by another number “Ullaallaa” which released on 6 Dec., a peppy number with a bit of reggae and rock. Finally, the full music album was released on 9 Dec. 2018 at a grand gathering which was well attended by the Cast & Crew of the film including Superstar Rajinikanth and Kalanidhi Maran of Sun Pictures. Subsequently, Sony Music released the entire album on YouTube the same day at 9pm and finally Amazon Music released it on 10 Dec. 2018 at 6pm. Marana Mass is a peppy tune sung by Anirudh and a short yet interesting part sung by SPB, perhaps as the voi

Being a fanboy of Shankar ever since his first film Gentleman in 1993, here are a few snippets I found out from the film 2.0. All the films of Shankar are named on the Hero / Key Character of the film except Jeans  although I wonder why - perhaps it was only his third film, so maybe he tried it differently. All his films have had the name of the protagonist such as Gentleman, Kadhalan, Indian, Mudhalvan, Boys (after all, the film revolved around all the four friends), Anniyan, Sivaji, Enthiran, Nanban, “I” and 2.0.  He seems to be a devout Hindu and references for this could be seen in most of his films. All his key characters have been Hindus and there’s a strong reference to the Almighty in every movie while in Enthiran, he takes to another level where Chitti, The Robot refers his creator Scientist Vaseegaran as the Go who created him. Subtle yet strong message that a Mother is God while for the machine, it is his Scientist. He has worked with AR Rahman in most pf his f

As always, I witnessed the frenzy and frolic during the FDFS today (29th Nov) for the Superstar Rajinikanth film 2.0 (also known as #2Point0) at Rohini Cinema, Koyambedu at Chennai. I have been watching FDFS of Thalaivar (as we popular address him) films for over 35 years and it’s a given thing that wherever I am or whatever I do the day before release or the next day, I must watch the First Show. We reached at 3.30 am (yes, that’s right) at the Cinema to witness the celebrations his ardent fans hold. Here’s a glimpse. The film started at 4am sharp and was welcomed with thunderous applause. Given that Superstar Rajinikanth’s last two films were with Pa. Ranjith and revolved around social issues, fans (and critics) have been waiting and wanting to see the magic that Director Shankar could weave after his 2010 release Enthiran (Robot in Hindi) with the Superstar which went on to be one of the biggest hits during that time in Indian Cinema. While 2.0 has been in the making f

I have been a fan of Mani Ratnam movie for over 30 years, I must confess. This is not the first time Mani is handling a multi-starrer. Exactly 30 years back, his much acclaimed Agni Natchathiram released which had two young heroes Karthik & Prabhu in the lead with a fantastic role by Vijaya Kumar. In 1991, he pulled off Thalapathi featuring Superstar Rajinikanth & Mammooty. In 2004, we saw Ayutha Exhuthu with Surya, Madhavan and Siddharth in the leads. From controversial political overtones in films like Mumbai, Dil Se and Guru to extreme romance-led subjects like Alaipayuthe, Raavan, OKK and most recently Katru Veliyidai, he has tried his hands on every genre perhaps. Having produced most of his films by himself, he never had the need to worry about critical acclaim or Box-Office collections. Add to that, he has to his credit portraying young heroes in their early career as strong protagonists - Prashanth, Arvindawamy, Madhavan, Shah Rukh Khan all the way up to Dulqeer Salma