Cinema, Karam, Kapi

Few would have noticed, but it was the first time that Superstar Rajinikanth donned the role of a grand father in his August 2023 outing titled “Jailer”. While the actor, who will complete 50 years in Indian Cinema in 2025 has been the darling of Producers & Distributors for two decades continuously in the 80s and 90s, the actor’s charisma started waning around the turn of the millennium. His own production film “Baba”, one of his career best according to his ardent fans, was the worst flop of his career. Thereafter, the actor’s films have been nothing short of a roller-coster ride. As I write this article after 5 days since the release of Jailer, the film is said to have grossed Rs. 350 Cr (USD 65 mn approx.) worldwide at the box office as per market estimates.  Day 1 - ₹ 95.78 cr     Day 2 - ₹ 56.24 cr     Day 3 - ₹ 68.51 cr   Day 4 - ₹ 82.36 cr   Day 5 - ₹ 49.03 cr  Total - ₹ 351.92 cr   For a 72-year old actor, at the fag end of his career, this is nothing short of a miracle of

Like millions of fans worldwide, I too have been watching ' a few videos on youtube since morning which brings a lot of nostalgia. After all, its 12/12 and an important day for every fan of entertainment. In Indian cinema, Tamil cinema especially, entertainment has been among the foremost reasons why ardent cinephiles watch a movie. Ask Netflix, Amazon and others, and they would tell you how tamil films are watched repeatedly. Some for their content. Some for their screenplay. Many for the lead actors & actresses. Among the top of this pyramid would be the one and only Superstar of Indian Cinema – Rajnikanth who is celebrating his 72 nd  birthday today. Much to the chagrin of his fans, he is not in town today and is shooting with his team for the upcoming movie Jailer, a film which has a lot of expectations due to the Director of the film Nelson, who’s Doctor (Sivakarthikeyan) and Beast (Vijay) has built a certain level of expectation.   This would be Rajini’s 169th movie. The

After 10 days since its release, I finally watched Kamal Hassan’s Vikram, well er… should I say, Lokesh Kanagaraj’s Vikram. That’s how it seems to be, going by the screenplay, the audience feedback and of course, the Box Office collections. As I write this piece (after 3 weeks of its release), the film has collected over Rs. 300 Cr at the Box Office in India and wolrd wide. Plus OTT rights, of course.  Kamal Hassan’s Vishwaroopam 1 & 2 were anything patriotic, to say the least. His critics have always said the gentleman lacked clarity of thoughts in his screenplay, and political stance, later on. But that’s for a different article. Staying true to his age and image that he has created for almost 6 decades now, KH has sprung a surprise in Vikram, where he plays a disheartened father who loses his son to the drug mafia – just that his son was not an addict, rather a cop who uncovered the mafia and stashed their prized catch.  The film opens with a drunk+sober Karnan (KH) who seem to

  I have been watching films on Netflix only for about a year, though I have honestly had the account for the past 3 years intermittently. Thanks to the theatres “locked down”, I would’ve watched at least 50 movies on this OTT platform since Apr. ’20, while washing vessels during the first lockdown, late nights after stressful work days, while on travel or simply finding a slot on a normal day to catch up some “me time”. So, watching Jagame Thandhiram (JT) today at home on the Tv was a natural progressing. And the film lived up to my preferred genres – Crime, Thrillers, International Politics, Refugee situation and of course, some gunfights. Only that JT packs almost all of these genres in one single movie over 158 mins. The whole narrative was so international that at many moments, I felt I wasn’t even watching a Tamil movie.  Dhanush’s Jagame Thanthiram is the first Tamil film to be titled “A Netflix Original” after the producers backed by S. Sashikanth, YNOT Films & Reliance Ent

I have always believed in my own coinage ‘Artificial Intelligence, Natural stupidity”. Netflix’ own production “Outside the Wire” is just that. When humans start depending more and more on machines and lesser on human values, we’re only headed for a major apocalypse. And this film once again reveals why is it so.   Harp (Damson Idris) is a drone pilot operating from a US Marine base and has a successful career as a drone pilot (the films is set in 2036). During a mission where Marines are fighting against an ambush, Harp decides by himself to strike a missile from the drone instead of listening to his superior’s order to hold back; the guys on ground want to save 2 wounded soldiers and are trying their best but Harp chooses to push the missile to save the 38 soldiers instead as there is a fully loaded van which is about to blow up. Subsequently, Harp is reprimanded; escapes a Court Martial and a jail term thanks to a benevolent boss, though he is sent to Camp Nathaniel in Ukraine to un

Prof. Selvam was a big inspiration when I was still in school. In the climax of the film “Nammavar”, a title which Mr. Kamal Hassan’s supporters  have been liberally using for his political posters, advises the young ones that “Change” will take time, but one shouldn’t expect immediate results as the system has been corrupted for a long time. 25+ years later, Prof. John Durairaj also concludes in the film with a similar message. That we should keep trying for improvements and never stop becoming better – at things around us as well as ourselves. While everything was reasonably good with Vijay’s Master, the Kutti story that was intended was a tad too long – spanning almost 180 minutes.  Lokesh Kanagaraj, who’s “Kaithi” feat. Karthi had a great outing a year back has been on the news ever since his “Master” feat. not one but two Vijay namesakes was announced. Along with the veteran Vijay (Sr.), we also have Vijay Sethupathi who plays a negative role yet again after Vikram Vedha (with Mad

As Steve Jobs reckoned, when you connect the dots backwards, things make sense. Indeed. Muthu, directed by KS Ravikumar, Superstar’s lucky charm of the 90s was a super hit movie of it’s times. Ardent fans had favourite moments right from the word “Go” – when Thalaivar breaks a coconut and catapults into his Horse-carriage and sings along yet another philosophical song which remains one of his all-time favourites – Oruvan Oruvan Mudalali. Right before interval, the film moves in to a flashback and we see Thalaivar adorned as a Maharaja; what follows in the next 20 mins is yet another philosophical number – Vidukathaiya Inda Vazhkai… Vazhvai nee thedi, Vadakke nee ponaal, Naangal povadhengu… Every time the Superstar had decided to quit acting / public life and move to his favourite haunt in the Himalayas, fans cried.  More than anything else, this film had one of his earliest political dialogues – during the drama scenes as well as in the song Kuluvaalile – Katchiyellam ippo namakedukku,

As always, the excitement of watching a brand-new feature film; FDFS as we popularly say; the idea of watching it at the confines of my home, sipping my morning Filter coffee, seated on my favourite armchair and while doing early morning household chores – Welcome to the New World Order, thanks to Covid-19.  This is my third FDFS on an OTT - the first one being Man Vs. Wild . Penguin, feat. Keerthy Suresh who won critical acclaim and an Award from none other than the President of India for her 2018 outing “Mahanathi” – the official biopic of yesteryear actress Smt. Savithri has been quite a sensation in Tamil Nadu as well as Andhra before and after her National Award. She’s been lately unseen in public for over a year, thanks to her intense preparation for her role in “Miss India”, a trilingual in Hindi, Telugu & Tamil that could be released later this year. Her last Tamil outing Saamy2 with Vikram was a drub and was a flop at the BO. So, when the first look poster of “Pe

Two weeks back, we were watching Dharma Durai at home feat.  Superstar Rajinikanth on Raj Tv, a regional Satellite Tv channel that has remained in ”existence” for over 2 decades as a GEC. No matter which channel has innovated or grown, this one remains loyal to its user base telecasting movies of yore from the 70s, 80s and sparingly from the 90s. When Thalaivar appears in the first scene (in a negative film mode, a novel attempt by Director Rajashekar those days and repeated later by Director Suresh Krishna in Baasha!) and fights off the rowdies, I was howling, clapping and all excited in front of the TV screen much to the surprise of my kids – perhaps with almost the same enthusiasm I had when I watched First Day First Show at National Theatre, Tambaram ( a suburb of Chennai) on 14 Jan. 1991.  I was, with all glee sharing the events of that day with my  family when I witnessed lathi charge for the first time as Police was regulating the frenzied “rasigans” outside the theatre wh

The distance from Koramangala to RT Nagar in Bangalore is around 14 Kms over 25 mins at that time of the day, rather night. But the bike ride felt eternal. My skin under the full sleeves’ shirt was shivering like never before. My closest experience to something similar was during the early 1980s when I watched “My Dear Kuttichathan” at Devi Theatre in Chennai. Be it a graphically shot snake coming out of a chandelier or the evil-filled Raja Vettaiyan walking with his sticks screaming “Laka Laka Laka” or the Rajapalayam Dogs barking fiercely and of course the extraordinary eye movements of the ecstatic Chandramukhi showing off her jewels, the entire movie was a bit on the edge when I watched it for the first time on this day, 15 years back. I feel the same every time I watch this film till now – around 50+ times during the past 180 months. The scary ride was because I was returning back from PVR at Forum Mall after watching First Day Night Show and Bangalore’s lonely roads were infamous