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Showing posts with the label Superstar

G.O.A.T – Why is Rajinikanth a phenomenon

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Few would have noticed, but it was the first time that Superstar Rajinikanth donned the role of a grand father in his August 2023 outing titled “Jailer”. While the actor, who will complete 50 years in Indian Cinema in 2025 has been the darling of Producers & Distributors for two decades continuously in the 80s and 90s, the actor’s charisma started waning around the turn of the millennium. His own production film “Baba”, one of his career best according to his ardent fans, was the worst flop of his career. Thereafter, the actor’s films have been nothing short of a roller-coster ride. As I write this article after 5 days since the release of Jailer, the film is said to have grossed Rs. 350 Cr (USD 65 mn approx.) worldwide at the box office as per market estimates.  Day 1 - ₹ 95.78 cr     Day 2 - ₹ 56.24 cr     Day 3 - ₹ 68.51 cr   Day 4 - ₹ 82.36 cr   Day 5 - ₹ 49.03 cr  Total - ₹ 351.92 cr   For a 72-year old actor, at the fag end of his career, this is nothing short of a miracle of

World Style Day – 12.12

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Like millions of fans worldwide, I too have been watching ' a few videos on youtube since morning which brings a lot of nostalgia. After all, its 12/12 and an important day for every fan of entertainment. In Indian cinema, Tamil cinema especially, entertainment has been among the foremost reasons why ardent cinephiles watch a movie. Ask Netflix, Amazon and others, and they would tell you how tamil films are watched repeatedly. Some for their content. Some for their screenplay. Many for the lead actors & actresses. Among the top of this pyramid would be the one and only Superstar of Indian Cinema – Rajnikanth who is celebrating his 72 nd  birthday today. Much to the chagrin of his fans, he is not in town today and is shooting with his team for the upcoming movie Jailer, a film which has a lot of expectations due to the Director of the film Nelson, who’s Doctor (Sivakarthikeyan) and Beast (Vijay) has built a certain level of expectation.   This would be Rajini’s 169th movie. The

Outside the Wire – Movie Review

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I have always believed in my own coinage ‘Artificial Intelligence, Natural stupidity”. Netflix’ own production “Outside the Wire” is just that. When humans start depending more and more on machines and lesser on human values, we’re only headed for a major apocalypse. And this film once again reveals why is it so.   Harp (Damson Idris) is a drone pilot operating from a US Marine base and has a successful career as a drone pilot (the films is set in 2036). During a mission where Marines are fighting against an ambush, Harp decides by himself to strike a missile from the drone instead of listening to his superior’s order to hold back; the guys on ground want to save 2 wounded soldiers and are trying their best but Harp chooses to push the missile to save the 38 soldiers instead as there is a fully loaded van which is about to blow up. Subsequently, Harp is reprimanded; escapes a Court Martial and a jail term thanks to a benevolent boss, though he is sent to Camp Nathaniel in Ukraine to un

Thalaivar Paraak, Get ready!

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As Steve Jobs reckoned, when you connect the dots backwards, things make sense. Indeed. Muthu, directed by KS Ravikumar, Superstar’s lucky charm of the 90s was a super hit movie of it’s times. Ardent fans had favourite moments right from the word “Go” – when Thalaivar breaks a coconut and catapults into his Horse-carriage and sings along yet another philosophical song which remains one of his all-time favourites – Oruvan Oruvan Mudalali. Right before interval, the film moves in to a flashback and we see Thalaivar adorned as a Maharaja; what follows in the next 20 mins is yet another philosophical number – Vidukathaiya Inda Vazhkai… Vazhvai nee thedi, Vadakke nee ponaal, Naangal povadhengu… Every time the Superstar had decided to quit acting / public life and move to his favourite haunt in the Himalayas, fans cried.  More than anything else, this film had one of his earliest political dialogues – during the drama scenes as well as in the song Kuluvaalile – Katchiyellam ippo namakedukku,

Relevance of Cinema Theatres

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Two weeks back, we were watching Dharma Durai at home feat.  Superstar Rajinikanth on Raj Tv, a regional Satellite Tv channel that has remained in ”existence” for over 2 decades as a GEC. No matter which channel has innovated or grown, this one remains loyal to its user base telecasting movies of yore from the 70s, 80s and sparingly from the 90s. When Thalaivar appears in the first scene (in a negative film mode, a novel attempt by Director Rajashekar those days and repeated later by Director Suresh Krishna in Baasha!) and fights off the rowdies, I was howling, clapping and all excited in front of the TV screen much to the surprise of my kids – perhaps with almost the same enthusiasm I had when I watched First Day First Show at National Theatre, Tambaram ( a suburb of Chennai) on 14 Jan. 1991.  I was, with all glee sharing the events of that day with my  family when I witnessed lathi charge for the first time as Police was regulating the frenzied “rasigans” outside the theatre wh

The cult of Chandramukhi

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The distance from Koramangala to RT Nagar in Bangalore is around 14 Kms over 25 mins at that time of the day, rather night. But the bike ride felt eternal. My skin under the full sleeves’ shirt was shivering like never before. My closest experience to something similar was during the early 1980s when I watched “My Dear Kuttichathan” at Devi Theatre in Chennai. Be it a graphically shot snake coming out of a chandelier or the evil-filled Raja Vettaiyan walking with his sticks screaming “Laka Laka Laka” or the Rajapalayam Dogs barking fiercely and of course the extraordinary eye movements of the ecstatic Chandramukhi showing off her jewels, the entire movie was a bit on the edge when I watched it for the first time on this day, 15 years back. I feel the same every time I watch this film till now – around 50+ times during the past 180 months. The scary ride was because I was returning back from PVR at Forum Mall after watching First Day Night Show and Bangalore’s lonely roads were infamous

When an OTT got Rajinified

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It was a yet another Monday for millions across the world. 23 rd  March 2020. But for some of us, it was a special day ahead. A day, Rajini Fans worldwide had marked in their Calendars as an important one. A few lucky of us would watch the Premier twice, others once. As I always wake up in the wee hours and prepare for a 4am “darshan” of Thalaivar at Kasi Theatre or Rohini Silverscreen at Chennai for an FDFS – First Day, First Show, I was all excited from the previous evening onwards. Just that I would be watching it all alone on my iPad in the confines of my favourite  chair at home, without the usual brouhaha outside and inside the theatre, save for the whistling, thumping and howling that I would anyway do all by myself. I would after all get to see “Thalaivar” in action with the wilderness on a small screen. The Discovery Plus App premiered at 6am and the Television premiered at 8pm. I was lucky to see both, one alone and the evening session with the family alongside Dinner.   It w

New Films on OTT? Let’s begin.

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It’s a known thing to my friends and extended circuit of people that I am a huge fan of Superstar Rajinikanth for over 40 years now. What very few people know is that I am also a big fan of the “Actor Kamal Hassan” though I don’t subscribe to his personal views on various issues including Spirituality & Religion, Politics and Current Affairs. However, I have seen almost all of his movies over the past 30 years of which at least a dozen films, over a hundred times (Still lesser than my penchant for watching Thalaivar movies). I have adored Kamal for his forward thinking on various business affairs – be it behind the camera or in front of it, casting himself as a “Her” with much authenticity or himself as 10 avtars; doing stunts real time notwithstanding his age, build and risk involved. His onscreen histrionics in films like Nayagan, Hey! Ram, Mahanathi to name a few won him awards & accolades, critical acclaim as well as controversy – it’s a package after all. Today,

Darbar - Film Review

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Superstar Rajinikanth has donned the role of a Policeman only a few times over the past 44 years in tinsel town. The most memorable one remains his uncanny performance as Alex Pandian in the film Moondru Mugam while the 90s’ Pandiyan and Kodi Parakkudhu were forgettable ones. Ever since, Thalaivar has stayed away from police characters for reasons best known to him. So, when it was announced last year that Darbar was on the anvil, fans were frenzied to see our action hero as a toughie-roughie cop. And we are not disappointed one bit. The film’s worth for his ardent fans is almost over in the first 15 minutes which is a treat to watch – the opening fight, thrashing goons with his policeman charisma and swag, threatening NHRC Officers in his inimitable style followed by the Chumma Kizhi song. As a hardcore fan for 4 decades, I said, “Ok, the reason I came is over. I got what I want”. Darbar is a tribute to Thalaivar and his fans by a Director who has always yearned to portray h