Cinema, Karam, Kapi

As always, I witnessed the frenzy and frolic during the FDFS today (29th Nov) for the Superstar Rajinikanth film 2.0 (also known as #2Point0) at Rohini Cinema, Koyambedu at Chennai. I have been watching FDFS of Thalaivar (as we popular address him) films for over 35 years and it’s a given thing that wherever I am or whatever I do the day before release or the next day, I must watch the First Show. We reached at 3.30 am (yes, that’s right) at the Cinema to witness the celebrations his ardent fans hold. Here’s a glimpse. The film started at 4am sharp and was welcomed with thunderous applause. Given that Superstar Rajinikanth’s last two films were with Pa. Ranjith and revolved around social issues, fans (and critics) have been waiting and wanting to see the magic that Director Shankar could weave after his 2010 release Enthiran (Robot in Hindi) with the Superstar which went on to be one of the biggest hits during that time in Indian Cinema. While 2.0 has been in the making f

I saw Kaala feat. Superstar Rajinikanth the third time yesterday (Thursday 21 June) on its 14 th day after release. Was happy to book online and reached KG Cinemas, Coimbatore ahead of schedule time. To my surprise, rather the lack of it, the screen was near empty. One of the oldest and largest Cinema Screens in India with over 800 seats, we were just 50 of us spread across the seating areas. Each of us had an agenda, perhaps. For me, it was noticing a few nuances and the undertones of dialogues, sequences and inner-meaning of the screenplay. Will reserve that for another column since I found a number of interesting perspectives. Kaala will be pulled off screens from today since Tik Tik Tik, a Space Odyssey feat. Jayam Ravi is finally releasing today and a dozen films are lined up for the next 3 months including big ticket releases featuring Ajith, Vijay, Surya and Karthi to name a few. Of course the much awaited Vishwaroopam 2 feat. actor turned politician (sic) Kamal Hassan

By now, most people who have been following the film and haven’t watched already know the storyline – Kaala alias Karikaalan is a migrant from South Tamil Nadu who settled in Mumbai a few decades back and helps scores of people settle and survive the tides of the mega city under the supposedly largest slum of Asia, at Dharavi. He is a Robinhood and savior for his people and the life story of the protagonist has its ups and downs. The storyline is just this without any overdose or complication. Previously, a few Tamil films have been made with the “Dharavi” area in the background, notable ones being Mani Ratnam’s Nayagan feat. Kamal Hassan (loosely based on the Western classic “Godfather”) and most recently, Thalaiva feat. Actor Vijay Joseph (Sathyaraj plays Vijay’s father who is also a Don). Kaala is an out and out Pa. Ranjith Film, the lucky Director who gets to work the second time with the Indian Superstar. Their previous outing Kabali in 2016 had a mixed result and a fair

This was one occasion that I have been eagerly looking forward for the past one year or so - To watch FDFS of Thalaivar movie. And it happened. Had the darshan of Thalaivar Superstar Rajnikanth in and as Kabali at 4.10am on Friday, 22 July 2016 at Kasi Theatre Chennai.  Watch my film review to The Hindu at 2.26 in this video  which was taken outside Kasi Theatre on Friday morning. I have seen the film thrice back to back on Fri/Sat/Sun and now content to my heart about the movie, fully satisfied as a fan that Thalaivar has not given us just a movie but something very special.  At 65, him acting and taking so many risks itself is a great deal. And he has given us such a splendid performance. Many fans cried along with him in the scene where he reunites with his wife. Fans celebrated fatherhood when Dhansika calls him "Appa" in a particular scene. You may note that Thalaivar has never had a son in any of his movies, just like his real life, in which he has

So, finally Kabali has released. It's been over 72 hours as I right this and the euphoria doesn't seem to have faded. And Rajnikanth himself has returned to Chennai on Sunday night (25 July 2016) after his supposed treatment in the US. The film has been much looked forward to by his ardent fans, the Indian Industry at large, the distributors, theatre owners, and even small time printers of flex banners who get a huge business during his movie release. The film released worldwide on Fri. 22 July 2016 with much fanfare. I was among those who had Thalaivar darshan at 4am at Kasi theatre at Chennai. Was super delighted to see him on screen after a gap of two years. People expected to see a different Rajni portrayed in the film, as emphasised by the director of the film, P Ranjith from time to time. And yes, we did see a very different Rajnikanth in the film, something that we haven't seen in over 25-30 years. No over the board antics, no parallel comedy line, no antics like t

Rajini fans worldwide have been looking forward to the release of the much awaited Kabali. After having worked with MS Viswanathan, Illayaraja, Deva and AR Rahman for the past 40 years, Superstar has chosen to work with a guy whose is as young as his own daughter. Rajinikanth's success is partially attributed to his Music Directors as most of his films have atleast 2-3 hit songs which remain etched in memory. After working for over 25 years with Illayaraja, Rajini gave an opportunity to a young lad in 1994 for his Muthu. The lad was just 5 films old then and was recommended to Rajini by one of his favourite directors Mani Ratnam whom Rajini holds in high respect. That lad, who later won the first ever Oscar for India went to create music for the next 15 years for Rajini (except Chandramukhi which was by Vidyasagar). AR Rahman and Rajini have a deep bonding. ARR likes to create mass tunes which are a class apart that suits Rajinikanth's image. Especially over the past 10-12 ye

I have been a self confessed fan of Director Shankar for many years now. My first tryst with his direction dates back to Gentleman when I was still in school and had limited understanding of the art that is cinema. But he was one of those Directors, I thought then, who has a bright future since he had tread on a sensitive subject in that film with elan. I have enjoyed all of his movies thereafter. In each outing of his, he brought out a different panorama of film making - something that the commercial directors have always refrained from. His heroes were larger than life, be it the "One day CM" in Mudalvan or the "Bribery conscious old man" in Indian. Ofcourse, and naturally my most liked movies of his are Sivaji and Enthiran, which feature my personal matinee idol, the Superstar of Indian Cinema, Rajinikanth. After watching Sivaji, I felt that for a change, Shankar has made a film for someone else - for Rajini fans in this case. After a successful run, his